Lee Ritenour On The Line Rar

Lee Ritenour is one of the smoothest, cleanest playing guitarists that's ever picked up the instrument! I first heard this album, on vynyl, back in 1983. As a then rock fan, I was totally surprised that I enjoyed it, but Lee's clean crisp sound, speed and edge touched a nerve.

ABOUT RAR: For those of you new to this site, 'RAR' is Rick Alan Rice, the publisher of the RARWRITER Publishing Group websites., which features original music compositions and other., which features excerpts from novels and other. RARADIO: 'On to the Next One' by Jacqueline Van Bierk 'I See You Tiger' by Via Tania 'Lost the Plot' by Amoureux' Bright Eyes, Black Soul' by The Lovers Key 'Cool Thing' by Sassparilla 'These Halls I Dwell' by Michael Butler 'St. Francis' by Tom Russell & Gretchen Peters, performance by Gretchen Peters and Barry Walsh; 'Who Do You Love?' 'HOW TO BUILD A BAND' I, RAR, have spent a lifetime trying and failing to achieve my fondest dream, which is to establish and maintain a really great band.

For some reason I have had trouble finding a large group of supremely talented musicians who want nothing more than to unselfishly lay their personal interests aside so that I may fully satisfy my personal obsession with.well, me. You know, the man and his music. (You wonder why this hasn’t worked?) Still, I’m a mere lad, not 54 for another month yet, so figure I have a lot of time left to achieve my sincere, heartfelt, potentially world-shaking dream.

To this end, I recently contacted my dear friend Gary Swan to ask how he goes about putting together his bands. Gary has been a professional musician his entire life, has played with top players forever, and for the last four has been Music Director (MD) for the Pointer Sisters. Here is Gary ’s advice, written in his email short-hand: 1. The Golden Rule is “He who has the gig rules.” 2. Windows 9598seme ram limitation patch. “The bottom line is money and somebody is paying somewhere.” 3.

“Get your charts done on your songs and horn parts” – I told Gary I need horns, you know, like more cowbell – “so when you go out of town you can pick up horns locally.” 4. “Might be cheaper to find a locale band and fly in and rehearse them or maybe taking one great player for your music director. That's how it's done.

With Bonnie Pointer and Mary Wells and lots of other acts I MD for I send tapes to the local players with charts and arrive three days early and practice the band and the star for the most part will only make about a thirty minute sound check.” 5. “If you are going to get on the track you must go as fast as everyone else, meaning look pro. Have CD'S & Charts.” 6.

“KNOW your songs. The band is there to go over the music and your performances should remain flawless, no mistakes.

So practice while you wait.” 7. “Sell CDS at gig to cover the cost.”.

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And before trying to become Chris Daniels & the Kings, Gary suggested this: “Go book small gigs anywhere or create a gig at a coffee shop or bar. Perhaps host a jam session. Monday night is always a good night for a jam session. Or find the jams around you and go listen to players. The bottom line is the only way to attract players is GIGS!

No promises or ideas are going to bring you players. And if it did they are not mature and ready to pull off a show of any size and will look like amateurs. But a gig, wedding, anything will bring you great players for 50 to $100 bucks.”. So, I'm taking Gary's advice. I know it's going to be a long, hard road, but look for me Tuesday and Thursday afternoons down at The Pizza Pirate.

I’ll be playing children's’ birthday parties for awhile, until I can get my horn band together. Of course, if the kids don’t like me I’ll have to take a fallback position yet to be determined. Please send your positive vibes my way. I’d like to make this happen while I can still affect a comb over.